![]() ![]() I hope someone who knows more about Flamenco could comment about this? I imagine the origins of Guitar tremolo are in the Flamenco tradition. To me it's the compas that are the more difficult parts. Fingering, to suggest that whatever works is best. I've also seen video on this Ben Woods says there's no hard and fast rules in Flamenco re. I think the p mim tremolo is better for a slower more even sounding tremolo, but when you want a really fast one the p ami is more effective.Īs for Flamenco, having studied only just a little (not nearly enough really) the basic teaching would be p amia or p cami if I remember correctly. ![]() Yes, it's at 6:24 in the interview in this thread - she confirms pmim.įunny how two people can be posting the same thing, one way or another, at the same time relatively speaking, and I wasn't even aware they'd posted the video! I do recall she mentions using p mim in an interview. The thought crosses my mind that she could be using both as I haven't really scrutinized it that closely. ![]() Wuuthrad wrote: ↑ Sunday 03 November 2019, 02:17 am ![]()
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